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1) The Hunters
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Description
This re-release of an early classic in anthropological film follows the hunt of a giraffe by four men over a five-day period. The film was shot in 1952-53 on the third joint Smithsonian-Harvard Peabody sponsored Marshall family expedition to Africa to study Ju/'hoansi, one of the few surviving groups that lived by hunting - gathering.
Series
Description
Ju/'hoan farming communities multiply during the 1980s only to face a new threat. The Department of Nature Conservation wants to create a game reserve on Ju/'hoan territory. People will be forbidden to raise livestock or crops. Instead, Ju/'hoansi will be encouraged to act like "Bushmen" and hunt for the amusement of tourists. Urgent grass roots organizing ensues as the people seek to control their traditional lands.
Series
Description
Namibian independence attracts vast amounts of international aid, but development programs no longer benefit Ju/'hoan farms. We witness the power of the "Bushman myth." This myth- a belief that Ju/'hoansi live uniquely in harmony with nature and are born to hunt. Promised great wealth, Ju/'hoansi vote to establish a nature conservancy. When their profits are a meager 75 Namibian dollars ({dollar}10.50 US) each- Ju/'hoansi ask, 'Where is all the money...
Series
Description
John Marshall is reunited with Toma's family in 1978. Like a majority of Ju/'hoansi, they have settled at Tjum!kui, an administrative post run by the South African government. They came looking for water, jobs and an easier life, but found poverty, malnutrition and violence. Desperate for a more stable existence, the family heads back to their traditional water hole, /Aotcha, with shovels, cattle, and plans to start farming.