Crediting Poetry: The Nobel Lecture
(eBook)

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Published
Farrar, Straus and Giroux, 2014.
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Available Online

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0m 0s
Format
eBook
Language
English
ISBN
9781466855663

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APA Citation, 7th Edition (style guide)

Seamus Heaney., & Seamus Heaney|AUTHOR. (2014). Crediting Poetry: The Nobel Lecture . Farrar, Straus and Giroux.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Seamus Heaney and Seamus Heaney|AUTHOR. 2014. Crediting Poetry: The Nobel Lecture. Farrar, Straus and Giroux.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Seamus Heaney and Seamus Heaney|AUTHOR. Crediting Poetry: The Nobel Lecture Farrar, Straus and Giroux, 2014.

Harvard Citation (style guide)

Seamus Heaney. and Seamus Heaney|AUTHOR. (2014). Crediting poetry: the nobel lecture. Farrar, Straus and Giroux.

MLA Citation, 9th Edition (style guide)

Seamus Heaney, and Seamus Heaney|AUTHOR. Crediting Poetry: The Nobel Lecture Farrar, Straus and Giroux, 2014.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID26720a51-1184-274f-9f4b-c1b1b6e9fc0f-eng
Full titlecrediting poetry the nobel lecture
Authorheaney seamus
Grouping Categorybook
Last Update2024-10-28 09:07:06AM
Last Indexed2025-01-18 03:16:15AM

Book Cover Information

Image Sourcehoopla
First LoadedOct 7, 2024
Last UsedOct 7, 2024

Hoopla Extract Information

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    [synopsis] => Seamus Heaney's Nobel Lecture, captured here in Crediting Poetry, is a powerful defense of poetry as "the ship and the anchor" of our spirit within an ocean of violent, divisive politics and "world-sorrow." Beginning with the "creaturely existence" of his childhood in a thatched farmstead in rural County Derry, Heaney traces his path in "the wideness of language." It is a way forged by listening: to the "burbles and squeaks" of BBC and Radio Eireann from a wireless speaker, to the triple-rhyme in a line of Yeats', but also to the sound of gunfire in Ulster and the keening desolation of all the "wounded spots on the face of the earth." Out of all these sounds Heaney discovers the necessity of poetic order-"an order where we can at last grow up to that which we stored up as we grew."
 
 It is poetry's ability to convey the forces of the marvelous and the murderous together, Heaney writes, that gives it "at once a buoyancy and a holding," and persuades us of its "truth to life." Heaney's lecture not only finds a way of crediting poetry "without anxiety or apology," but it persuades us, eloquently and gracefully, of the "rightness" and "thereness" of our veritable human being.
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